Jeremy Levison is a practising family and divorce lawyer of some 40 years' standing.

His great passion, however, is the art world (which he refuses to delineate as the "art market").

A keen collector, Jeremy now has over 500 paintings in his ever-expanding collection. His particular interest is in young, unknown artists, helping them at the beginning of their careers and following them as they emerge.

Jeremy was responsible in the 1980s for the creation of the Collyer-Bristow gallery which was formed in the offices of the eponymous law firm in order to connect emerging artists with otherwise redundant wall space.

He is currently the chairman of the Old Carthusian Art Society.

More recently he has opened his own gallery, namely the Bermondsey Project Space in London's trendy Bermondsey Street.

Aindrea Emelife is a 27-year-old art critic, independent curator, art historian and presenter from London. Starting at The Courtauld Institute of Art, where she completed a BA in History of Art, she has quickly gone on to become a ground-breaking new voice in an art world otherwise steeped in tradition.

Aindrea has featured in programming on Sky Arts and presented art films for such prestigious institutions as The Royal Academy of Arts, The Hepworth Wakefield Museum.

She is currently working on her first two books, A Little History of Protest Art (Tate, 2022) and How Art Can Change The World: A Manifesto (Frances Lincoln, 2022)

Marcelle Joseph is a London-based American independent curator, collector and founder of Marcelle Joseph Projects, a nomadic curatorial platform that has produced 38 exhibitions in the UK and the rest of Europe, featuring the work of over 200 international artists, since its founding in 2011.

Joseph's expertise is in early career artists based in the UK, in particular, female-identifying and non-binary artists, and has an academic specialisation in feminist art practice after completing an MA in Art History with Distinction from Birkbeck, University of London. In 2013, she executive edited ‘Korean Art: The Power of Now’ (Thames & Hudson), a survey of the contemporary art scene in South Korea.

Claus Busch Risvig is a proud collector and supporter of emerging artists because, as he says, “it takes more investigative work to find them”. Always on the lookout for new talent, he is regularly seen at international art fairs and is very active online, where he shares art discoveries with his many followers on Instagram. Buying with his girlfriend, Risvig has amassed one of the most important collections of the work of emerging artists in Denmark, with a focus on paintings and works on paper.

In 2016, Risvig was a curator at the first edition of CODE, Scandinavia’s only international art fair. In 2018, Risvig was on Apollo Magazines 40 under 40 list of the most inspirational young people in the European art world. In 2017 and 2018 parts the Bech Risvig Collection was exhibited at public spaces in Denmark.

Bech Risvig Collection has donated work to ARoS Aarhus Art Museum and HEART Herning Museum Of Contemporary Art.